April 24, 2025
Episode

How to Win on YouTube

How to Win on YouTube
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Today, we shared an episode about what it takes to win on the platform. I’m joined by George Karalexis and Donna Budica from Ten2 Media, which helps artists with their YouTube strategy.

You can listen to the episode here or read below for my thoughts on one of the topics we discussed.

YouTube’s Compounding Effect

Benson Boone, Brent Faiyaz, and BigXThaPlug are among the clients that use Ten2 Media to up their game on YouTube. When Ten2's machine is working at all levels for an artist, these artists have seen 600% revenue growth on YouTube, often exceeding the revenue that artists make on Spotify and other streaming platforms.

I asked them which artist, even if it's not one of their clients, is doing YouTube the best right now. The answer was Ed Sheeran, which sent me down a rabbit hole after we recorded the podcast. Sheeran released a song in early April called "Azizam."

- March 28 - a 31-second "Pressing Play" trailer-style video
- April 2 - Making of Azizam (Studio Behind the Scenes)
- April 4 - Azizam (pink heart video), song released on all platforms
- April 7 - Lyric video for Azizam
- April 11 - Live performance in Old Delhi
- April 17 - Official music video
- April 17 - Conversation with Sheeran, co-producer, and video director
- April 24 - Behind the scenes (with Azizam playing in the background)

That's eight videos from just his latest single! That doesn't even include all the Shorts that promoted the same song. Sheeran and his team do this regularly with his songs. Each of those videos that include "Azizam" monetizes the same sound recording, which compounds the song's value on the platform. Meanwhile, on Spotify, there are currently two versions, an English version and a Persian version.

Deeper in Sheeran's YouTube channel, there are videos of him being himself, speaking directly to the camera, documenting his journey, and more. It's especially telling to see from someone at Sheeran's level. It wasn't that long ago that this type of hustle on the platform came primarily from NBA YoungBoy or an independent artist who is hustling to make it. Yet Sheeran is by far one of the most bankable acts in the business.

Ed Sheeran has over 30 billion views across his official YouTube channels, which puts him fourth all-time, only behind Bad Bunny, BTS, and Justin Bieber. His Spotify numbers are strong as well, he has the sixth-most streams of all time, and 5 billion streams in 2024.

But even if an artist isn't a superstar or has a new single, there are plenty of ways to maximize the platform. YouTube may be an untapped opportunity for estates who want the legacy of their artist to live on the largest media platform in the world.

Make sure you listen to the rest of the episode. Donna and George shared a bunch of other insights on:

- how they grew Crash Adams' YouTube account from 4,000 to 12 million subscribers and generated millions of dollars in the process
- why YouTube's user-generated content creates monetization opportunities that other platforms can't match
- the specific strategies they use to increase "surface area" for their clients to capture maximum revenue

Listen here:​​ Spotify​​ | ​​Apple Podcasts​​ | Overcast

Chartmetric Stat of the Week - The Worldwide Platform

We talk a lot about how international YouTube is, but rarely the data that proves it. Of the top 25 artists on the platform by weekly views on videos, how many of those artists would you guess are from the U.S.? The answer is three: Bruno Mars (8), Lady Gaga (10), and Kendrick Lamar (24).

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Hip-hop mirrors the business world in a lot of ways. While I’ve always thought and known that, it’s great to see those ideas brought to life by someone so knowledgeable about both of those things. Huge fan of Trapital.
PPLS CHAMP
Looking forward to future episodes of Trapital. I’ve been following the newsletters for awhile and always learn something new that’s relevant to hip hop and business. Great job getting the nuggets of info from Matthew Knowles on the 1st episode, can’t wait until the next one!
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If you’re looking for a podcast with a wealth of info on the business of hip hop, then Trapital is your new home. Dan is an excellent host who has a myriad of of experienced guests to talk their role in the business of hip hop. Check it out!
RoyalSkegee
If you work in — or have an interest in — the music business, Trapital is a must.
Samu Rast
A good friend of mine put me on this podcast and it took me some time to tap in, but once I did, I couldn’t stop listening! Dan has a talent for pulling out the narratives between lines, connecting it to the culture and then making it make sense. I’m a loyal subscriber and am thankful for the podcast!
Zealous Advocate
I am a real estate investor and came across this podcast after a recommendation from a friend who shares my loves for both hip hop and business. Often, those two interests have such polar opposite “voices” - but Dan’s podcast brings those two together for me. The result is magical. Great guests, too!
Gabriel Blue
As a guy who came up in NYC during the late 90s / early 2000s rap scene, I appreciate the history revisited by Dan, who obviously has an authentic and unique perspective on the culture. But he’s not only a hip hop historian; he’s also a visionary of art, technology and culture who curates other trend setters from across the globe. Salute!
Mrkamal
I love Dan’s ability to bring diverse and timely perspectives to the show while asking deeply insightful questions that engage the audience on so many interesting levels. I’ve learned so much in just a short period of listening. Excited for what Dan has in store for the show in the future!
Greg0188
I stumbled upon this podcast by learning about Dan / Trapital via LinkedIn. I listen to A LOT of podcasts and I decided to give it a listen. First, Dan has a calm and authentic demeanor, which are great qualities. When he’s talking to his guests it’s very conversational and easy flowing. I’m a former music industry vet so the topics are right up my alley.
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